![]() New Movies: Release Calendar for November 4, Plus Where to Watch the Latest Films Sundance Sets Tone for Increasingly Crowded Best Documentary Feature Race It’s a thrillingly told, life-affirming David versus Goliath war flick that remains, even as it takes in the vast violent tragedies that occur, visibly humanist.Carrie-Anne Moss and Lee Jung-jae Officially Join Cast of 'Star Wars' Series 'The Acolyte'ĭamon Lindelof's Secret 'Star Wars' Film Nabs 'Ms. They’re left for dead by the general and are only saved by virtue of a few local villagers putting themselves at risk through a series of terrifying nighttime trips into enemy territory. The Georgian soldiers barely stand a chance. What ensues is an incisively choreographed battle sequence captured in immersive detail by the cinematographer Konstantin Esadze that imbues every frame with suspenseful shock waves. A vindictive young Russian general (Dimitri Lupol), however, lures the outfit into a trap. It initially follows a band of Georgian soldiers who are given clearance to return to safety during an agreed-upon cease-fire with Russia. Inspired by a real-life incident from the Russo-Georgian War of August 2008, the Georgian director Dito Tsintsadze’s film is a gritty and tactile action assault reminiscent of “Black Hawk Down” delivered through powerfully executed filmmaking. While intense run-ins with the authorities and Rawinder’s bitter colleagues set the film’s intense pace, Zafar’s narrative never loses sight of the impact one person can have on a people. That theme continues with Jogi’s Hindu best friend Rawinder (Mohammed Zeeshan Ayyub), a police officer, agrees to skirt orders by shepherding Jogi’s Sikh community to safety. While Jogi indeed must weave through the surrounding carnage, often depicted in slow motion for maximum emotional impact, the sequence also outlines a grounded heroism of ordinary people saving each other. Its opening sequence shows a seemingly ordinary trip through the marketplace by Jogi and his father (Arvinder Singh Gill) turn into bloodshed when violence erupts against Sikh people. “Jogi” is melodramatic, but not in a glib way. When tragic real-life events are rendered cinematic, a tendency to increase the melodrama can arise. Taking some inspiration from the anti-Sikh riots of 1984 in India, which happened in retaliation against the assassination of Prime Minister Indira Gandhi, the director Ali Abbas Zafar’s “Jogi” follows its titular character (Diljit Dosanjh) as he attempts to shepherd his friends and family to safety. How can the pair despise how they are dehumanized when they treat Gabe like a dog? From a film in which the underrepresented are branded with bar codes emerges a fight not just for freedom but also a struggle for one’s principles amid unprincipled people. ![]() It’s also the moral quandary caused by Sarah and Jarret, who are keeping a Volunteer named Gabe (Michael Raymond-James) chained to the floor of their barn as a prisoner. ![]() ![]() The major draw of the director William Sullivan’s dystopian and post-apocalyptic tale, however, isn’t wholly the frenetic action. In the film’s suspenseful opening, featuring kinetic camerawork and close-quarters gunplay, Sarah fights two Volunteers in the woods to save Arjay ( Brandon Perea), a young gay Filipino man. Rebelling against them are a couple of outsiders - Sarah (Sarah Wharton) and her husband, Jarret (Jarret Kerr, the film’s co-writer) - who have stationed themselves on the Canadian border as an underground railroad for underrepresented groups to escape the country. They spend their days hunting and killing immigrants, queer people and people of color. In the near-future, a far-right group known as the Volunteers has taken over America. ![]()
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